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E-books-Extensive Focus Needed

Posted by Alan Smith | Electronic Books | Tuesday 14 July 2009 1:50 am

The Internet has made it commonplace to visit a forum and post a response to an individual half a world away. It is also possible to view that individual as a friend even if you will likely never meet.

E-books take the common connectivity of the Internet and fuse it with the on demand expectations of online consumers. The end result is a product that has the potential to impact a greater number of individuals than most print publishing routes.

Individuals view e-books as a means of publishing a work in a new platform and in a manner that is more cost effective than most other forms of media distribution. Businesses view e-books as a means of information development or online marketing.

Not all e-books require consumer payment. In many cases a simple, yet free, online registration is all that’s required to gain access to the e-book.

The reason e-books make a successful marketing tool is that the information can provide a step-by-step overview of the product or information you are passing along. If the consumer has the time to fully review the material they will be able to access information that would be hard to find elsewhere.

The idea behind marketing e-books is that you really do provide something that is useful and is a constructive use of the individual’s time.

Just as amateurs are finding ways to develop audio pod casts and video streams, amateur writers are developing material with the help of freelance writers or friends and family that can assist them in the marketing of a related product.

Another reason to look at the possibility of marketing e-books is that by tying the e-book delivery to a free registration you are able to capture an interested email address and other information for email marketing campaigns and other research data requirements.

With so many websites available you can be honored when consumers make their way to your site. You should feel doubly honored when they sign up for membership in the hopes your marketing e-book will help fill in the blanks on knowledge they are thirsty for.

Millions of computers are tapped into an online world; some of them might be dropping by your ecommerce site soon. What can your site make available to them that they can’t find anywhere else?

Roles in Writing Comic Books

Posted by Ethan | Comic Books | Thursday 21 May 2009 11:21 pm

Part of the popularity of comic books comes from the fact that they are a great reminder of carefree childhood days when you could have a good laugh at the simplest of jokes. There are many people involved in comic book production. Without each person’s role, a comic book wouldn’t be available to read. Writing comics is like the chain of life; without the writer or artist a comic couldn’t be created. The different roles involved in production are: writer, artist, inker colorist, letterer, editor, and editor in chief. Each role is an important aspect which allows readers to have and collect great comics.

The writer creates the story for a comic book. They write the script which allows the story to emerge. To take on this role, you have to be very creative. This is the starting position of a great comic. Writing comics makes you think and write in different ways. The writing has to communicate visually with words, be emotional, and create action and adventure. Writing comics is similar to writing scripts. There is dialogue between the characters, setting up the story, and moving the plot from beginning, middle, and end.

After the comic story is written; the artist, inker, and colorist work together to illustrate the comic. The artist then comes in and illustrates what is happening during the plot. The artist usually draws the comics in pencil. This role is also creative and requires a lot of talent and art skills. This role is perfect for someone who is a great artist and loves design. The pictures are first drawn in pencil because after a page is drawn, it can be sent to the inker. Splitting the drawing roles between an artist and an inker makes for faster production of a comic book. After the artist draws in pencil, the pictures are passed on to the inker. The inker goes over the artist’s work in ink and makes the pictures stand out. The inker uses either a black pen or black brush to go over the pencil marks. Inking the drawings makes the comic look more professional and sleek. After the initial drawing is complete, the colorist colors the writer’s and inker’s work. This is done either by hand or with computer software. The colorist really makes the art come to life. They create specifically how the character will look, what colors will be used, and add effects to the pages such as shading.

Once the drawing is done, the comic is passed off to the letterer. This role is in charge of putting words in the right places and adding sound effects. They make sure the reader is easily able to follow the story. This role is creative and also requires a strong knowledge of grammar. Letterers’ work is most often seen in the balloons of comics.

After the final touches of the comics are done and the pictures and words are complete, the editor looks over the comic for errors. They also help with the creative team and give guidance to the creation team. They make sure that everyone is working in the same direction and know the concept of the comic being produced. The man in charge, the boss, is the editor in chief. He oversees all production and makes sure everyone is happy doing the work.

As you can see, there are many steps and people involved in producing a comic book. Without the function of each role, comic books would be hard to produce. Creating comics is a team job.

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